. Studio international . BY W. LEE HAN KEY. THE FISH MARKET. W. LEE HANKEY. New School of Colour-Printing that of the art collector who has discovered whathe believes to be a genuine Rembrandt on anameless canvas, to the J. R. Smiths and WilliamWards, the Bartolozzis and Burkes, upon hiswalls, or maybe to the Debucourts and Janinets,for he rarely collects both English and as he draws your attention to the brilliantand delicate quality of the colour-printing, hewill tell you, with an air suggesting that he, aspossessor, shares in the superiority, that They cantdo that sor
. Studio international . BY W. LEE HAN KEY. THE FISH MARKET. W. LEE HANKEY. New School of Colour-Printing that of the art collector who has discovered whathe believes to be a genuine Rembrandt on anameless canvas, to the J. R. Smiths and WilliamWards, the Bartolozzis and Burkes, upon hiswalls, or maybe to the Debucourts and Janinets,for he rarely collects both English and as he draws your attention to the brilliantand delicate quality of the colour-printing, hewill tell you, with an air suggesting that he, aspossessor, shares in the superiority, that They cantdo that sort of thing nowadays. Its a lost art. This, of course, is a mere parrot-phrase, theparrot-phrase of the collector who accepts all thecraft of the eighteenth century as fine art, andignores, or does not attempt to understand, theart of his own day. Colour-printing from metalplates is by no means a lost art. On the contrary,there has lately been a very lively revival of it, andthis revival constitutes a movement of far more
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
