Pompeii, its history, buildings, and antiquities : an account of the destruction of the city with a full description of the remains, and of the recent excavations, and also an itinerary for visitors . some square, some vaulted. Sometimes areseen doors and steps which seem to lead into inner apart-ments. There are projecting balconies, draperies hangingfrom the cornices, garlands suspended from pillar to pillar,and other bight and cheerful, but exceedingly fantastic de-corations. Over the doorway of the first room adjoining thevatatio is a well-preserved figure of a Jupiter in stucco. Theking o
Pompeii, its history, buildings, and antiquities : an account of the destruction of the city with a full description of the remains, and of the recent excavations, and also an itinerary for visitors . some square, some vaulted. Sometimes areseen doors and steps which seem to lead into inner apart-ments. There are projecting balconies, draperies hangingfrom the cornices, garlands suspended from pillar to pillar,and other bight and cheerful, but exceedingly fantastic de-corations. Over the doorway of the first room adjoining thevatatio is a well-preserved figure of a Jupiter in stucco. Theking of gods and men is sitting on a square stone, on whichhe rests with his left arm, whilst in his right hand he holdshis sceptre. Before him, on a short pillar, sits his the northern wall are also the remains of two or threefemale figures in relief. To the north of the Natatio and its adjoining apartmentis a long passage (29) with an entrance into the palaestrafrom the Vico del Lupanare. It communicates with anotherentrance on the south (50). On the other side of the Baths 180 POMPEII. is an entrance from the Strada Stabiana into the corridor(43), and another into that marked 42 and The side of the palaestra opposite to that just describedcontains the warm baths. They consist, like the baths pre- DESCRIPTION OF BATHS. 181 viously discovered, of two complete suites of apartments,each having an apodyterium, frigidarium, tepidarium, andcaldarium, and between them the furnace (47) by which bothsuites were heated. This arrangement of the furnace seemsto show that both these sets of baths were used simultaneously ;and as it does not appear to have been the Roman custom tohave distinct baths for the richer and poorer classes, we arenaturally led to the conclusion that one of these sets wasintended for men and the other for women. Here, however,we are met by the objection that neither of the sets is com-pletely isolated and private, as is the case with the bathsassigned to t
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