. Furniture for the craftsman; a manual for the student and machanic. Fig. 116.—Magazine or Music off also. Main dimension figures are merely given forthe general proportion to this and to Fig. 117. When the detail is laid out in full working drawing the mostdirect constructional features can then be studied. If it is for. Fig. 117.—Another Style of use these articles of furniture will no doubt representmore labor and material than would naturally be expended in TABLES AND STANDS 99 making them in quantity. This does not imply that to manu-facture in quantity one sh
. Furniture for the craftsman; a manual for the student and machanic. Fig. 116.—Magazine or Music off also. Main dimension figures are merely given forthe general proportion to this and to Fig. 117. When the detail is laid out in full working drawing the mostdirect constructional features can then be studied. If it is for. Fig. 117.—Another Style of use these articles of furniture will no doubt representmore labor and material than would naturally be expended in TABLES AND STANDS 99 making them in quantity. This does not imply that to manu-facture in quantity one should resort to questionable methods,with attractive features on the outside only. In all work to beplaced on the market scheming in careful detail is very necessaryand the outward essential features must be presented in an at-tractive and, in furniture, the most substantial way solidity of appearance the sale is more than half consum-mated, and it matters little with the average customer how thissame piece of furniture is held together, whether by the old wayof mortise and tenon, or the now generally accepted practice ofdoweling. Judgment must be exercised in using some of the modern waysof securing a joint. In the primitive forms of furniture now sopopular it certainly is a sham to represent the main structural
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Keywords: ., bo, bookcentury1900, bookdecade1910, bookidfurnitureforcraf01otte
