Strip bobbin cartouches between slanted twisted tires, anonymous, c. 1760 - c. 1770 Strip of natural -colored Brussels bobbin. The pattern consists of three arches of slanted twisted tires crowned by a lobed cartouche and connected to each other on the bottom by a clock -shaped cartouche. After the three arches, the twisted tires turn into connected ovals that also form an arc and are cut by flowers and leaves from the Outijdevan de strip. A flower branch hangs down from the cartouche in each bow. Three loose flower branches hang between the arches. The motifs are largely made in linen battle


Strip bobbin cartouches between slanted twisted tires, anonymous, c. 1760 - c. 1770 Strip of natural -colored Brussels bobbin. The pattern consists of three arches of slanted twisted tires crowned by a lobed cartouche and connected to each other on the bottom by a clock -shaped cartouche. After the three arches, the twisted tires turn into connected ovals that also form an arc and are cut by flowers and leaves from the Outijdevan de strip. A flower branch hangs down from the cartouche in each bow. Three loose flower branches hang between the arches. The motifs are largely made in linen battle with openwork edges, but otherwise with few recesses. Some flower hearts and petals and the like are made in mains. Most motives are provided with burst relief contours. The motifs are connected by a fine Maas soil, a drachel soil. As a decorative land, fine snowflake grounds have been used in the twisted tires and braids in the cartouches and branches between the flower branches. The top is straight. The irregularly scalloped underside is finished with picots. Brussels linen (material) bobbin lace / Brussels bobbin lace Strip of natural -colored Brussels bobbin. The pattern consists of three arches of slanted twisted tires crowned by a lobed cartouche and connected to each other on the bottom by a clock -shaped cartouche. After the three arches, the twisted tires turn into connected ovals that also form an arc and are cut by flowers and leaves from the Outijdevan de strip. A flower branch hangs down from the cartouche in each bow. Three loose flower branches hang between the arches. The motifs are largely made in linen battle with openwork edges, but otherwise with few recesses. Some flower hearts and petals and the like are made in mains. Most motives are provided with burst relief contours. The motifs are connected by a fine Maas soil, a drachel soil. As a decorative land, fine snowflake grounds have been used in the twisted tires and braids in the cartouches and branches be


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Photo credit: © piemags/rmn / Alamy / Afripics
License: Licensed
Model Released: No

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