Hara: Two women wayfarers, and a coolie carrying their boxes, passing along by rice fields, overlooked by the huge snowy mass of Fuji. The neighbourhood of Hara is considered the best vantage point for magnificent views of Mount Fuji. In the Edo Period, travelling on the highway was considered very dangerous and woman travellers were usually accompanied by their manservant. Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family
Hara: Two women wayfarers, and a coolie carrying their boxes, passing along by rice fields, overlooked by the huge snowy mass of Fuji. The neighbourhood of Hara is considered the best vantage point for magnificent views of Mount Fuji. In the Edo Period, travelling on the highway was considered very dangerous and woman travellers were usually accompanied by their manservant. Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重). The Tōkaidō (東海道 East Sea Road) was the most important of the Five Routes of the Edo period, connecting Edo (modern-day Tokyo) to Kyoto in Japan. Unlike the inland and less heavily travelled Nakasendō, the Tōkaidō travelled along the sea coast of eastern Honshū, hence the route's name.
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