Harmony, its theory and practice . This progression is qtftte con^ect*^ut a diminished fifthfollowed by a perfect fifth iafforbidden between the bass and anyupper part, but allowed between two upper or middle parts, pro-vided the lower, or occasionally the upper part moves a semitone. Ex. Cc\rA HnnH. 28_ Harmony. , 74. If two parts go by similar motion to octaves or perfectfifths, such progressions are called hidden octaves or fifths.

---

Size: 2604px × 960px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No

Keywords: ., bookcentury1900, bookdecade1900, booksubjectharmony, bookyear1903