. Programme. erse, sung or said between the epistle and gospel at certain masses. It is also called asequence. Victimae Paschali, Veni, Sancte Spiritus, Lauda Sion, Dies Irae, are examples,but neither Le Brun nor Benedict XIV. recognized the Stabat Mater as a prose.—P. H. tWe must in justice deal with the erroneous view of certain misinformed critics who have triedto pass off Francks symphony as an offshoot (they do not say irnitation, because the difference be-tween the two works is so obvious) of Saint-Saenss work in C minor. The question can be settledby bare facts. It is true that the Symp
. Programme. erse, sung or said between the epistle and gospel at certain masses. It is also called asequence. Victimae Paschali, Veni, Sancte Spiritus, Lauda Sion, Dies Irae, are examples,but neither Le Brun nor Benedict XIV. recognized the Stabat Mater as a prose.—P. H. tWe must in justice deal with the erroneous view of certain misinformed critics who have triedto pass off Francks symphony as an offshoot (they do not say irnitation, because the difference be-tween the two works is so obvious) of Saint-Saenss work in C minor. The question can be settledby bare facts. It is true that the Symphony with organ, by Saint-Saens, was given for the first timein England in 1885 (sic), but it was not known or played in France until two {sic) years later (January9. 1887, at the Conservatory; now at this time Francks Symphony was completely finished.—V. M. dIndy is mistaken in the date of the performance in London; but his argument holds good.—P. H. AN INTROPUCTION LEADS TO EUERLASTING n?IENDSHl7. Chocolates (TWO GRADES) m SALE AT THE BETTER STORES
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