. Studio international . KOKUZO. FROM A PAINTINGIN IDE SANBOIN S I A ITUE OF ONE ( »F 111!. HOSSO IIS OF HOKUENDO, BY UNKEI, INI III inn KUJ1 MONASTERY Japanese Temples and their Treasures in the extreme simplicity of the linesand the intense spiritual aspect designed tobe conveyed in the simplest of manners. Thevolumes offer us many examples of Sumiye, orthe black-and-white painting, inspired by theteachings of the Zen Sect. With them may be. the very slight landscapes in haboku as those by Sesshiu, Soami and others, andthe figures of Sennin executed in the same
. Studio international . KOKUZO. FROM A PAINTINGIN IDE SANBOIN S I A ITUE OF ONE ( »F 111!. HOSSO IIS OF HOKUENDO, BY UNKEI, INI III inn KUJ1 MONASTERY Japanese Temples and their Treasures in the extreme simplicity of the linesand the intense spiritual aspect designed tobe conveyed in the simplest of manners. Thevolumes offer us many examples of Sumiye, orthe black-and-white painting, inspired by theteachings of the Zen Sect. With them may be. the very slight landscapes in haboku as those by Sesshiu, Soami and others, andthe figures of Sennin executed in the same way bysuch artists as these, and by Keishoki, Motonobu,Shiubun and many others. One of the greatest impressionsto be received fromthe Japanese Temples and Their Treasures,from the revelation the work affords t tin- supremequalities of ancient Japanese sculptors. There arenumerable examples of works which must rankamong the first the world has seen—examples anyone of which dug up in Greece would In- instantlyfamous the world over. A W i stern critic hascomp
Size: 1327px × 1882px
Photo credit: © Reading Room 2020 / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
