Les Vrais Pourtraits de Quelques UNES DES PLUS Grandes Ladies de la Chestiente, Designees and Bergeres / Ware image of some of the greatest and the most airing women of all of Christian Rijk, showed in Daaente as Shepherdesses, 1640, 1640 Album with 74 performances on 56 album blades. In the album the series with the title: Les Vrais Pourtraits de Quelques UNES des plus Grandes Ladies de la Chestiente, Designees and Bergeres. After a title page, title print and a preface in French and Dutch, three parts with sixty portraits of noble and civilian women from home and abroad follow, depicted as s
Les Vrais Pourtraits de Quelques UNES DES PLUS Grandes Ladies de la Chestiente, Designees and Bergeres / Ware image of some of the greatest and the most airing women of all of Christian Rijk, showed in Daaente as Shepherdesses, 1640, 1640 Album with 74 performances on 56 album blades. In the album the series with the title: Les Vrais Pourtraits de Quelques UNES des plus Grandes Ladies de la Chestiente, Designees and Bergeres. After a title page, title print and a preface in French and Dutch, three parts with sixty portraits of noble and civilian women from home and abroad follow, depicted as shepherd's staff. The women, always two on a page, are anonymous. It is up to the public to find out their identity. A fourth part follows with images of Pallas and the nine muses. On the pages opposite the portraits of quatrains in French and Dutch. The album ends with: a poem addressed to the nymphs of the Amstel, in French and Dutch; An epilogue in Latin; Silvia and Aminta with accompanying text; a singing in ten quatrains in two languages; a representation of a sphinx and shepherd, with dialogue; An afterword in German. Red Marokin band with a few bracts in the back. Amsterdam band: leather. band: marbled paper. paper marbled paper / engraving / letterpress printing Album with 74 performances on 56 album blades. In the album the series with the title: Les Vrais Pourtraits de Quelques UNES des plus Grandes Ladies de la Chestiente, Designees and Bergeres. After a title page, title print and a preface in French and Dutch, three parts with sixty portraits of noble and civilian women from home and abroad follow, depicted as shepherd's staff. The women, always two on a page, are anonymous. It is up to the public to find out their identity. A fourth part follows with images of Pallas and the nine muses. On the pages opposite the portraits of quatrains in French and Dutch. The album ends with: a poem addressed to the nymphs of the Amstel, in French and Dutch; An epilogue in Latin; S
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Photo credit: © piemags/rmn / Alamy / Afripics
License: Licensed
Model Released: No
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