Programme . on from Munich tobe present. ** * The first overture had nothing to do with the contents of the music was purely objective, and, as Liszt remarked, finely contra-puntal. The opera begins in G major and ends in F-sharp chose B minor for the tonality of his overture. The curiouswill find an analysis of this overture in Die Musik, first number for June,1904, pp. 342-346. The overture was performed as the prelude tothe opera at the Peter Cornelius Festival at Weimar, June 10, 1904,! •Her name was Bertha Jung. Born November 20, 1834, she married Cornelius, Sept
Programme . on from Munich tobe present. ** * The first overture had nothing to do with the contents of the music was purely objective, and, as Liszt remarked, finely contra-puntal. The opera begins in G major and ends in F-sharp chose B minor for the tonality of his overture. The curiouswill find an analysis of this overture in Die Musik, first number for June,1904, pp. 342-346. The overture was performed as the prelude tothe opera at the Peter Cornelius Festival at Weimar, June 10, 1904,! •Her name was Bertha Jung. Born November 20, 1834, she married Cornelius, September 14., 1867,and died at Rome, February 6, 1904. f Mrs. von Milde andKnopp, the only survivors of the creators of the parts, were at this von Milde, born at Weimar, June 25, 1827, created the part of Elsa in Lohengrin, and sang atWeimar until 1S76. She died at Weimar on January 26, 1906. See Natalie von Mildes recollections ofWeimar in the fifties in the number of Die Musik just iloired CositumeSj Coats and Waists DANCING DRESSES A SPECIALTY717 BOYLSTON STREET TELEPHONE. 5818 when The Barber of Bagdad was performed as the composer wrote Mottl, who brought the opera out after the performance atHanover, made changes in Corneliuss orchestration, and shortened theoverture in D major, the second overture. For this he was takenseverely to task by Max Hasse in his Peter Cornelius und sein Barbiervon Bagdad: Die Kritik zweier Partituren: Peter Cornelius gegenFelix Mottl und Hermann Levi (Leipsic, 1904). The overture in D major—the one played at this concert—beginsAllegretto molto, 6-8, with the bombastic announcement by the Barberof his name (brass and bassoons), and to this is added a fragment ofthe Barbers patter-song, in which he gives his qualifications:— Bin Akademiker,Doktor und Chemiker;Bin MathematikerUnd Arithmetiker,Bin auch Grammatiker,Sowie Aesthetiker;Feiner Rheioriker,Grosser Historiker,Astrolog, Philolog,Physiker, G
Size: 2853px × 876px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookauthorbostonsy, bookcentury1800, bookdecade1880, bookyear1881
