Waterloozaal seen from Eastern Direction in 1893. A photo from 1893 from the Waterloozaal. On the right in the foreground, the Amsterdam sign teacherares M. Warburg, which "read" of painting. Sadeé 255 (M 257, M158, M259) Waterloozaal (modern painting) seen to the west. Transit to room room has a curved light diced, plastered and equipped with belt bows. The foot of the cove console from a profile list and consoles made by art sandstone, which have been carried out among other things. The Waterloozaal is named after the painting by Pieneman, where to the left
Waterloozaal seen from Eastern Direction in 1893. A photo from 1893 from the Waterloozaal. On the right in the foreground, the Amsterdam sign teacherares M. Warburg, which "read" of painting. Sadeé 255 (M 257, M158, M259) Waterloozaal (modern painting) seen to the west. Transit to room room has a curved light diced, plastered and equipped with belt bows. The foot of the cove console from a profile list and consoles made by art sandstone, which have been carried out among other things. The Waterloozaal is named after the painting by Pieneman, where to the left of the photo can be seen a small section. At the decorative paintwork, the room is identical to the international hall (235). Fig. 13 A of the Stuers gives a picture of the mosaic floor in this room. "The ornament is black and white, the background alternating red and yellow. (The grid under the letter A is an iron schedule of a mouth of the heating tubes'.) (The Stuers p. 39) On this photo, the banks are still covered with the original upholstery. In 1895, the subject of leather upholstery will be used. In 1899 the room, by means of wooden bulkheads, is divided into 10 cabinets. In 1924 the bulkheads have been removed and replaced by two brick walls that diverted homes in three. The original paintings were versed in 1923.
Size: 2428px × 2500px
Photo credit: © BTEU/RKMLGE / Alamy / Afripics
License: Licensed
Model Released: No
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