Artificial soft paste porcelain : France, Italy, Spain and England . d of a palegreenish tint. The blue colour of the decorations is darker and grayerand more intense than that of the other old French factories. Thepaintings have evidently been applied on the raw glaze, like those onthe stanniferous (tin enamelled) faience of Rouen. Pieces of thisporcelain are rare, the most characteristic forms being flower pots, cupsand salt cellars, which are mainly decorated in blue and occasionallyin other colours. A few pieces are known with blue, red and greendecorations. ST. CLOUD. Fritted porcelain wa
Artificial soft paste porcelain : France, Italy, Spain and England . d of a palegreenish tint. The blue colour of the decorations is darker and grayerand more intense than that of the other old French factories. Thepaintings have evidently been applied on the raw glaze, like those onthe stanniferous (tin enamelled) faience of Rouen. Pieces of thisporcelain are rare, the most characteristic forms being flower pots, cupsand salt cellars, which are mainly decorated in blue and occasionallyin other colours. A few pieces are known with blue, red and greendecorations. ST. CLOUD. Fritted porcelain was first attempted here about 1696 by the Chi-canneau family, and the manufacture continued until about the year1773. The paste is yellowish, with a greenish tinge, or of a deepivory tint and fine and regular grain. The glaze is clear and brilliantand seldom blistered. Sometimes dry patches are noticeable onthe flat parts, and the glaze often shows a tendency to run in the bottoms of cups, saucers and plates it often presents the appear-ance of Noi. 93-108, 04-61. 2. Frit Paste Saucer and in Dark Cloud, France, 1722-1762.
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Keywords: ., bookauthorpennsylvaniamuseumand, bookcentury1900, bookdecade1900
