. Musical instruments . ters, Mollen [Maler ?], Hans Frey, and NicholasSconvelt, which were of extraordinary price ; the workmenwere chiefly Germans. One of the earliest and most cele-brated of these makers was Lucas Maler (or Laux Maler as he inscribed his name on his instruments). He lived atBologna about 1415. Other celebrated lute-makers* were :— Ludwig Porgt, Regensburg, 1525. Hanns Gerle, Nuremberg, b. about 1505, d. 1599. Hans Neuscdler, Nuremberg, d. 1563. Sebastian Rauser, Verona, working about 1590 to 1605. Mattheus Buchenberg, Rome, working about 1592-1619. Hanns Fichtholdt, Ingolds
. Musical instruments . ters, Mollen [Maler ?], Hans Frey, and NicholasSconvelt, which were of extraordinary price ; the workmenwere chiefly Germans. One of the earliest and most cele-brated of these makers was Lucas Maler (or Laux Maler as he inscribed his name on his instruments). He lived atBologna about 1415. Other celebrated lute-makers* were :— Ludwig Porgt, Regensburg, 1525. Hanns Gerle, Nuremberg, b. about 1505, d. 1599. Hans Neuscdler, Nuremberg, d. 1563. Sebastian Rauser, Verona, working about 1590 to 1605. Mattheus Buchenberg, Rome, working about 1592-1619. Hanns Fichtholdt, Ingoldstadt (?), about 1612; his lutes,the backs of which arc made with narrow strips ofwood, in the Italian manner, were formerly muchprized by connoisseurs. Paolo Belami, Paris, about 1612, probably an lutes were highly valued. Joachim Tielke, Hamburg, b. 1641, d. 1719. * For a more complete list of lute-makers see Von LiitgendorfF, DieGeigeit- und Lautenmacher vom Miltelalter bis zur Gegenwart, Frankfort, (J. -(? ill 1 AlikDSK. Il ^ M, , li> UiichiiilicTg ill KoiiKj, aniii . (. L. 74 il- No. io- 02. Vic(un,i .iiid .\lli( rl Muse 11111. POST-MEDLE]AL. 107 Antoni(j Castaro, Rome, about 1615. Christofilo Rochi, Padua, about 1620. Sebastian Rochi, Venice, about 1620. Clays von Pommersbach, Cologne, probably during tlie sixteenth Tieffenbrucker, Venice, latter half of seventeenth Tieffenbrucker, Padui, working about 1572-1611, and Leonhard Tieffenbrucker, Padua (?), duringthe sixteenth century; their lutes were rather flat andlong in Hartung, Padua, working about 1602 to 1624 ; he was a pupil of Leonhard Mest, Fiissen, working about 1610 to 1650 ; said to have been pupil of iMicliacl Christian Hoffmann, Lci])zig, working about 1710to 1750; his kites were exported to Holland Schott, Prague, latter halt of seventeenth Rauch, P
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